David Mirvish Books to Close[Globe and Mail - Jan.09]
One of Canada's oldest and most popular independent bookstores, Toronto's David Mirvish Books, is closing its doors at the end of February.
The store, specializing in books on visual arts, architecture, photography, design and film, was opened in 1974 on Markham St., near the famous Honest Ed's department store. The store, the brainchild of theatre impresario David Mirvish, son of Toronto businessman and philanthropist Honest Ed Mirvish, was first located in a building across the street from its current site. Its present home had been a gallery for contemporary art owned by David Mirvish and a few years after the gallery's closure, in 1975, he moved the store into its premises.
Eleanor Johnston, manager of the store for more than 25 years, said yesterday there was no one reason for the store's Feb. 28 closing. "David [Mirvish] just thought it was time, that the retail world has indeed changed a lot. Of course, it's always changing... There's always been something with the economy, the currency, the chains duking it out. It's not really a question of us not really being able to keep weathering those shifting sands, to mix metaphors. I think we just decided, 'It's just enough, it's time.'"
Johnston, who started as a clerk at the store 31 years ago, said Mirvish will move its out-of-print and rare books on-line and "make them available to the world." But the bricks-and-mortar operation is kaput. She said Mirvish has not yet decided what do with the high-ceilinged room, although the famous 50-foot-long Frank Stella abstraction, "Damascus Gate," will occupy its west wall for the time being.
"It's a problematic space in some respects," she laughed. "It's an event to change a light bulb."
The closing of Mirvish Books will be the second shuttering of a specialty book outlet in Mirvish Village in less than a year. Last fall Ballenford Books, specializing in architecture titles, closed for the final time. It started in 1979.
COMMENTS
[thestar.com]
The problem with online buying of art books is that you don't get to leaf through the book before you pay the huge price. The AGO bookshop is a shadow of what it was pre-'Transformation'. Buying art history books just got more difficult.
I will miss this book store. Christopher Morley writes of used bookstores as being something of a hub/nexus for the creative people of the world- in my long experience with Mirvish Books, it is one of the few new book stores that has a transcendent feel of the air full of ideas, sparks of inspiration, and a decent dose of bibliomania as per Morley's used bookstores. It is a special, physical place the online cannot, ever, touch.
Word on the street is that Mirvish had no issues with the bookstore, but preferred to turn it into a private gallery for his art collection, which won't even be open to the public. I guess when you own all the buidlings on the block, you can change a neighborhood's dynamic as you see fit. But it's a shame to see a landmark go and staff laid off on a whim. Makes one wonder how long Honest Ed's will last before he turns it into a condo.
What a shame. The architecture and scholastic community didn't come together to help Ballenford out. Now the combined arch/art/photography/design/film community in Toronto is going to let another landmark die. It's sad really, but what's worse are the university arch/art/fine art hist/photography/design/film professors who encourage their students to buy off Amazon rather then ordering en masse from these local retailers. Yes, Amazon has great selection, but local retailers can find you anything as well, AND THEY'RE PART of the COMMUNITY, which means they can do so much more. When's the last time Amazon held a lecture series? Shame.
I remember first coming here as a young designer in the late 1980's to get my art book fix. I've since gone there at least 5 times a year over the last 25 years. I will miss it and their very knowledgeable staff.
David Mirvish Books - Final Moments
*sigh*
*double sigh*
I don't live in Toronto, but when I'm up there, I love checking out some of your indie, smaller book stores.
Seeing the pictures, with the smiles, knowing it's ending, makes this even more sad.
I loved this place! I bought most of my UofT art/art history books here :(
I didn't even know they were closing! or else I would have gone down there!
RIP - I hope they do better online (but somehow I doubt that) because, "It's about coming here and reading and touching and feeling the books." so true
If you're still interested in drooling over and fondling art and design books ... there is always SWiPE, located in the 401 Richmond building.
Well, all I see are people complaining they can't go browse anymore. Maybe if more people actually bought the books, they'd stay open. It's a business, not a library.
Use it or lose it.
DM books didn't close because too many people were "fondling books". It wasn't because they were financially in the hole, or the rent was too high. The Mirvishes have deep pockets, and paid no rent as they own the building. David hasn't been involved with the book business for years, and it's no secret that he's re-focused the Mirvish biz on the theatre district.
I recommend everyone do themselves a favour and start fondling some books at SWIPE - their stock is phenomenal, they could use the extra business, and the owner is a really great guy.
David Mirvish Books
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Swipe Books[blogto.com - Feb. 09]
As I repeatedly circled around Richmond and Adelaide in search of the new location of Swipe Books, I began to wonder how a store so difficult to find could have any chance of survival. After about four loops in my car and the utterance of just a few expletives, I had the radical thought that maybe I should double-check my notes to confirm the address. Suffice to say, I might have kept circling all day had I not had that vague (and not altogether rare) feeling that, despite my annoyance, maybe it was me who was the idiot. After all, it's pretty hard to find a store located at 401 Richmond when searching desperately for 410 Richmond.
Once I had the correct address, it was a cinch to find Swipe. In fact, the building in which it is located is one that I've walked through a number of times in the past (before the store's arrival). A restored tin factory that houses a vibrant mix of studios, galleries and a few commercial spaces, 401 Richmond might just be the perfect location for a store that specializes in books on graphic design, architecture and the built environment. That is, if it weren't for that fact that the building offers no street-front space. Wrong address or not, I probably wouldn't have continually missed Swipe if it had a street presence, a point that's not lost on the store's owner, David Michaelides. One of his chief worries when he moved into the current space in May 2008 was that the location within a larger building might cast Swipe both out of sight and out of mind.
This, of course, begs the question: why did he move in the first place? Typically, his reasons had to do primarily with survival. As he frankly explained to me, "at the end of a lease cycle, pretty much all independent bookstores have to move." He should know; he's been in the book business coming on thirty years. And even when they're pretty successful, he continued, "they just can't afford to renew." For sad proof of this, consider the collective fates of Ballenford Books, Pages, and David Mirvish Books, all of which are closed or closing. One of the great difficulties, according to David, is that even when a bookseller has been astute in his choice of an up and coming area, he's still inevitably priced out of the market when the neighbourhood becomes established. In other words, you're damned if you do find a great location and damned if you don't.
So what to do? Well, despite the doom and gloom, the very fact that Swipe is still with us speaks to the viability - however precarious - of independent booksellers. But, to maintain their presence throughout the city, David muses that we might need to radically rethink how such bookstores operate and the nature of services that they provide. While they're clearly commercial enterprises, it might be more accurate to liken these stores to art galleries (most of which are also commercial, lest we forget). After all, where else is one so welcomed to loiter? And beyond this, having something of a patron figure can help to keep the doors open. Without getting into financial specifics, Margaret Zeidler, the owner/landlord of the building has been supportive of Swipe, believing not only in the concept of the store, but what it brings to a building occupied primarily by private galleries and studios.
I like this idea. When I go to bookstores, the experience is similar to the one I have at art galleries: a sort of meandering walkabout with plenty of time for contemplation. And hey, as expensive as some books are, they're cheaper than most pieces of art. Speaking of which, Swipe in particular seems a good example of this mix between gallery and store. Over the eight years it's been open, Swipe has gradually carried more and more non-book items in the form of exemplary pieces of design that range from the idiosyncratic and cheap (think egg-timer), to the sophisticated and pricey (think stainless steel juicer). There's also a well-stocked children's area, including books and toys. These items account for about half of the store's revenue, which might be high for a place that still characterizes itself as a bookstore first and foremost. But, that's just the nature of profit margins.
For all the promise that David sees in the new location, he still uses a rather apt screen analogy to summarize what it's like in the independent book business. Most will remember the famous opening scene from Indiana Jones: Raiders of the Lost Ark in which Harrison Ford narrowly escapes being crushed by a massive stone boulder. David likens his position to this frantic attempt to escape a boulder that is already in motion. What I find worrisome about this analogy, however, is that though Jones does indeed escape the cave (and the boulder), when he tumbles into the outside world, he is greeted by his archaeological nemesis, Belloq, who relieves him of his prized artifact. Left with nothing to show for his ingenuity and heroism, Indy must once again thwart death as he runs to his escape plane. But, alas, it doesn't matter because he isn't in it for the profit, but for the adventure. For better or for worse, this may be the case for David, too. And when was the last time you saw a blockbuster about a bookseller? (And, no, You've Got Mail doesn't count!)
COMMENTS
[blogto.com]
David's an incredibly entertaining guy to talk to - I spoke to him on the day it was announced that DM Books was shuttering. If you want to get into a heated yet jovial conversation about the current state of the book industry, I recommend you go up and introduce yourself to him.
It should also be noted that there are plans to expand the current space - David mentioned that this would happen within the next few months. I think their new space is absolutely beautiful, and I can't wait to see how it evolves.
I've shopped at sw pe for years, from the DX to Richmond to the 401. I like the fact that i can go in look at stuff that inspire me as a designer. The fact I can pick things up and examine them as to just looking at a picture of it online makes a difference to me. I will always support sw pe, we need more business like this it's what makes living in Toronto so great. I hate to think of the alternative like what is happening just up the street on Queen St.
David Michaelides, owner of Swipe
The rumours are true, Swipe has opened a second shop in a beautiful, high-profile suite on the ground floor of 401 Richmond Street West. BUILT, Books on Architecture is hoped, in the fullness of time, to fill the void left by the (really, really depressing) closure last year of the venerable Ballenford Books. For more than 30 years a succession of Susans served the community with a commitment and a level of expertise that we cannot hope to match, at least in the short term. In fact, so as not to make matters worse for our colleagues, Swipe avoided architecture as a subject area altogether for as long Ballenford was in business, with the result that we now feel embarrassingly ill-prepared and uninformed. So … um … help!
E-mail us and let us know what you need, want, or would just like to see at the new shop. Or drop by and see what’s here and what’s missing. We’re open Monday to Saturday from 10 am to 6 pm and we’ve even got windows! Please help us to make this your community bookstore. [swipe.com]
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The Best Bookstores in Toronto
Operating a bookstore in Toronto may not be the most lucrative business these days. The dominance of mega-chain Chapters Indigo, online retailers like Amazon.ca and the rise of the Canadian dollar have resulted in a permanent shift in the industry dynamic. The good news is that the many popular book sellers who remain have made their stores better by distinguishing themselves on features like the quality of their selection, helpful service and ties to the local community.
With so many diverse independent bookstores in Toronto, it's difficult to narrow the offerings down to the ten best. Science fiction fans might lament the exclusion of Bakka-Phoenix. Children and their parents might not forgive us for overlooking Mables Fables. And playwrights might hunt us down on the account of our omission of TheatreBooks. And that's just the tip of the snubbed-list iceberg.
Ultimately our list of Toronto's best bookstores came down to the nominations and votes from our readers. Perhaps to nobody's surprise, perennial favourite Pages Books & Magazines secured the top spot. Among other qualifications, Pages has been a long-time supporter of local and independent publishers and hosts the widely-successful This is Not a Reading Series. Below we present our top ten bookstores in Toronto. To discover more Toronto bookstores click over to our bookstore section.
COMMENTS
[blogto.com]
Really enjoying all your Best Ofs, but you've missed the boat on this one. Most of this list reads like it was compiled 5 years ago. Ben McNally Books is a far superior bookstore, actively involved in the literary and publishing communities, and it has a far larger selection than most of the bookstores listed here, especially boutique Type and This Ain't the Rosedale Library, which seem more interested in promoting graphic novels than books without pictures.
Totally agree with you, James. Ben McNally is a one-man bookselling institution in Toronto, and has been for more than 15 years. Nicholas Hoare is another perennial favourite.
No way. Monkey's Paw. #1.
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Ben McNally Books[blogto.com - Jan.09]
I feel a confession is in order at the outset of this profile: these days I buy almost all my books online. It didn't used to be so. There was a time when I was addicted to bookstore hopping, when I loved the possibility of finding hidden gems tucked away in the used shops across the city, and when searching out books was as much about chatting with the clerks or owners as it was about actually buying anything.
I share this bit of guilty nostalgia because I get the feeling that there are others out there who have also slipped into such a habit, almost unknowingly, and sometimes it's good to remember why bookstores can be such stimulating places. But, of course, it's easy to romanticize things like this. Not all bookstores are created equal, the prices online are certainly cheaper, and those characteristics that I'm so fond of in great stores are becoming harder to find. It's for all these reasons that I was excited to drop by Ben McNally's Books and chat the owner up about his store's relatively recent opening and the state of independent booksellers in general. Maybe, I thought, a conversation with someone who's been in the business for forty years would inspire me to get back to my old book-buying ways.
Although the store that bears his name only opened in September 2007, many Toronto bibliophiles know Ben from his long time as the manager of Nicholas Hoare Books. In getting to know about his new venture, the first question that I was eager to ask was why he chose the Financial District as his location. When I think of independent booksellers, I tend to associate them with more residential areas, like BMV and Book City in the Annex, or Type and The Monkey's Paw in and around Dundas West.
But, as Ben explained, there is an obvious logic to why he chose Bay and Richmond to set up shop. Because he tends to stock a high percentage of first-run hardcovers, a well-to-do clientele is an obvious bonus (if not necessity). Not only that, based on the hourly traffic in the area, he can close the store at an early 6pm (and on Sundays), which allows for a variety of events to take place in 2500 square foot space after hours.
McNally's doesn't really specialize in any one genre, but if there's a focus on a particular type of book, it'd be on what Ben jokingly calls " the good ones," those nice looking hardcovers that people tend to want to keep around for the long haul, whether it be history, biography or fiction (genres in which he's well stocked).
As the bookseller for the Harbourfront Reading Series, he also has quite a number of signed editions from some of the authors who've participated over the years. In keeping with this desire to cater to those who collect books, the store itself is a warm, wood-paneled space that's reminiscent of an old library. Not overly cramped, it tends to invite patrons to browse through the various sections scattered throughout the room. It might even be fair to say that based on its size and decor, this is an independent bookstore that doesn't look like an independent bookstore.
I wonder, however, is that enough? Yes, the space is nice, and so too are the books. But, the other main question I had for Ben was how he would distinguish his store from the big chains and online retailers. His answer was surprisingly honest. If, he mused, the customer knows exactly what he or she is looking for, those other options do make a lot of sense.
But, on the other hand, for those who don't already have a title in mind, who'd like some hands-on guidance or recommendations, Ben's happy to help. It's the interactive experience that independent bookstores build their reputation on. While this may seem obvious, it's clear that Ben takes pride in helping people with their book selections, noting, for instance, how many regular customers he has and how often he consults with people participating in book clubs.
As I was leaving, we spoke briefly about the economic downturn and how it was impacting the book business. Although he said it was too early to tell in relation to his business, he did leave me with a statement that I think paints a good picture of his attitude in general. "Books should be a haven in hard times, because when you think about it, they're really an amazing value."
COMMENTS
[blogto.com]
Hurrah for Ben McNally, who exemplifies what independent bookselling is all about. And while it may be cheaper to buy online and to hit up chain stores for deep discounts, it is an entirely different and rewarding experience to walk into a store like his. It's the Church of Book Lovers. (As is Pages and Nicholas Hoare).
Ben is probably the best individual bookseller in the city, maybe the country.
Columbine by Dave CullenIn the tradition of Helter Skelter and In Cold Blood, Columbine is destined to be a classic. A close-up portrait of hatred, a community rendered helpless, and police blunders and cover-ups, it is a compelling and utterly human portrait of two killers. [benmcnallybooks.com]
QUOTE
Don't rush the healing.
REVIEW
Not since Capote's In Cold Blood do we find such a thoughtful, illuminating, riveting, and disturbing portrait of the criminal mind. Columbine doesn't just explode the myths of what happened that day and why. Instead the book carefully dissects our biases, revealing a populace eager to blame this tragedy on poor parenting, Satan, rock music, or goth kids because it is simpler and more convenient than hearing the truth.
And the truth is that Eric Harris was a born psychopath and Dylan Klebold was clinically depressed, eager to please, and clawing for an escape hatch. Together they formed a rare and volatile combination known as a criminal dyad, a coupling of an egomaniacal control freak and a doting, depressed side-kick. Like Bonnie and Clyde and the D.C. snipers, the duo had a push-me pull-me effect that spun both kids out of control and down a dangerous path that now seems well-worn and obvious as we trace it back.
Cullen's coverage of the tragedy is remarkably broad and deep for a book that doesn't even run 400 pages. The entire scope of the Columbine shootings are covered with almost no wasted space. The book is agonizingly well-researched and brilliantly end-noted. Cullen was one of the Colorado journalists covering the event as it was happening, and has been following the aftermath for the past ten years. He has become one of the most informed minds to wrestle with the shooting, and one of the few to draw the right conclusions.
The layout and pacing in Columbine is also ingenious. Instead of pretending that this was a tidy moment in history that can be covered from beginning to end, Cullen pays homage to the frustrating way that details coalesced into a final picture. Jumping back and forth from Eric and Dylan's lives before the event to the tragic consequences that reverberated after, Cullen gradually paints a full portrait of the two men in much the way that they revealed themselves to investigators. There is no pretension here that this is a subject with an easy beginning, middle, and end. Any other method of relating this story would not do the popular confusion justice, nor would it result in such a vivid understanding of what these two boys were like, and what damage they wreaked on their community.
Another impressive touch is the complete lack of images presented in the book. The center clump of photographs, a mainstay of good non-fiction, is conspicuously absent. You will not find a single picture of the killers nor their victims. It took some time for me to appreciate this classy move by the author and publishers. There is no sensationalism here. This is an outstanding work of journalism that is not only the authoritative account of what happened at Columbine high school, it is also a glimpse of criminal psychosis that I believe will be held up as a classic in years to come. This isn't just a good book, it is an important book. It is not just about the past, and not just about this one event, it is about a sad fact of the human condition, and a call for forward-looking vigilance, not backwards-glaring vengeance. [...]
The Trench Coat Mafia and a massive conspiracy involving many other participants led many people astray, including investigators. The idea that these were unpopular geeks who were picked on by bullies led to a national campaign against something that played no role in the tragedy. Eric and Dylan more often played the role of bully than they did bullied. And implications that music, movies, goth lifestyle, Hitler, or videogames inspired their actions are as false as Michael Moore's assertions that they bowled on the day of the shooting.
Columbine replaces these falsehoods with an account of two kids that simply hated the world and its occupants. Everyone was beneath them. These were not kids cast out by society; they were misfits by choice. They fled the robots/zombies/sheep with eagerness and disdain. They celebrated the fact that they did not belong. Nobody pushed them away or ridiculed them, in fact they were just as popular in their own clique as any other kid, and just as invisible to most kids as we all were to people outside of our social circle. The kids who were not respected were Eric and Dylan's peers. The duo were able to look down on them from such a height of hubris as to be able to dehumanize them. Making them something outside of their scope of empathy. Easy enough to dispatch. [...]
Possibly the most shocking myth stripped down in the book is that this was a school shooting by design. The event became the poster for gun restrictions, which may be a noble cause, but it misses the intentions that Eric and Dylan had that day. By all accounts, the attack was a dismal failure. The massive bombs that they rigged up did not go off as planned. They had a low body count estimate in the hundreds, but hoped for thousands. They wanted to start a worldwide revolution. And they hoped they could do this all without devastating their parents. In every possible way, these boys failed. They failed their society, their peers, their parents, and thank goodness, they failed themselves.
These failures continue to cast ripples today. Cullen devotes a good chuck of his book to the horrible aftermath of these events. An investigation that became disgustingly political included cover-ups and foot-dragging. There were copycats, pranks and bomb-threats. Survivors went through physical and emotional re-hab. Some people tried to profit from the shooting. The school had to be rebuilt, along with the student body and the surrounding community. Some relationships were bonded for eternity, and some shattered. Depression and post-traumatic-stress were prevalent and devastating. Lawsuits were filed. The entire town seemed to be cursed, with normal bad luck ascribed to the ghost of Columbine. Cullen captures all of this with stunning detail and respectfulness. There is no stone that he does not peek under, describe, and then return with loving care. That he pulled this balancing act off for the entire book, detailing an event with so many scars and controversy, is absolutely stunning.
The end result is a book that should be required reading for every teacher, guidance counselor, clinical psychologist and parent. Columbine unmasks universal and innate tendencies that a small portion of our population harbors. And what makes this minority dangerous is that they have no empathy for the rest of us, and a genius for hiding this flaw. The signs of their disease are usually there, but they are murky due to our faith in nurture conquering nature.
Columbine is not just an account of an American tragedy, it is a guide for preventing future ones. We must begin by accepting that much of who we are is the dumb luck of genetics, but that this does not exculpate our actions. Sure, we can dream up more pleasant realities for us to operate within, where free will plays a larger role, and loving someone enough will make everything all right, but fantasy is never a solution for improving our existence. It is just the comforting blanket we tragically suffocate ourselves with.
What You Never Knew About Columbine
I know more about the Columbine story than most of Cullen's audience: I was Cullen's editor at Salon 10 years ago, on that awful day when the cable networks told us teenagers were dying in Littleton, and he told me over the phone he'd head there immediately. Little did either of us know then that he'd still be at Columbine a decade later.
So I can't be dispassionate about this book. I will point to raves from Time and Newsweek before offering my own personal observation: I knew Cullen was a dogged reporter and a terrific writer, but even I was blown away by the pacing and story-telling he mastered in "Columbine," a disturbing, inspiring work of art. [...]
What you won't learn, except in the footnotes, is that it was Cullen who broke most of the crucial Columbine myth-debunking stories and expanded on others. He was an army of one against the dozens sent by large national dailies, the news magazines, and local and national television networks. But he had key advantages: He lived there, he's charming and ingratiating, he's got an instinct for bullshit, and he's got a heart bigger than most hearts I know. He suffered through the Columbine story with the locals after the national stars went away; he also had the distance from local politics that a national outlet provided him. Still, what got him the story was his passion and smarts and sensitivity — he knew how to wrangle information out of traumatized teens and families and investigators because he was traumatized, too; I'll never forget some of our conversations when he talked through his own despair at what he was seeing.
As journalists debate the role of citizen storytellers and others who have a stake in the news we report, Cullen offers an interesting window — he was absolutely a trained professional who nonetheless never hid his devastation at the loss of the young lives at Columbine, or his place in the grieving community. He shows what someone with remarkable skills but even more remarkable compassion and judgment can do to break a good story. It was my honor to be his editor — and to discuss this book with him. [...]
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Monkey's Paw[blogto.com - Sep.08]
Monkey's Paw is unlike any other bookstore in Toronto. There's no Harry Potter or Suzanne Somers Eight Steps to Wellness here. Instead, the shelves are a treasure trove of the rare and the bizarre with titles like Indian Police Today, Why China Has No Inflation, Artificial Impregnation, Cocaine Changes and Understanding Japanese Bantings.
Located in the old Carte Blanche digs on Dundas, just west of Ossington, Monkey's Paw was opened in March 2006 and named after a cheesy early-20th century horror story by W.W. Jacobs. The moral, or message, of the story is Careful what you wish for.
Owner Stephen Fowler figured that at a shop like Monkey's Paw, you'd never find the book you were looking for; but you might well find the book you didn't know you were looking for. Get it? So, don't go here looking for anything. Just go, browse the shelves and be amazed at what you'll find.
Even when the store is closed it's worth a visit. Fowler regularly rotates some of the most random titles in stock in the front window. Definitely makes for an interesting conversation piece after stumbling out of nearby Communist Daughter at 1am.
He also updates the store's blog on a weekly basis with some of the new and strange titles in stock. Customizing Your Van circa 1983 anyone?
For more details on the store, keep reading for my short Q&A with owner Stephen Fowler.
What distinguishes Monkey's Paw from some of Toronto's other bookstores?
We stock primarily odd, obscure, overlooked, and forgotten books. Other stores usually attempt to carry established classics; we look for books which are specifically NOT classics.
We select our stock according to an aesthetic formula: the beautiful, the arcane, the macabre, the absurd. We try to make sure that every book fits one of these descriptions...and the ideal Monkey's Paw title fits all four.
We also take into account the books' artifact value. In other words, we look at old books as not just texts, or collections of images, but as cultural artifacts in their own right: snapshots of their cultural moment, printed on paper, and gathered in bindings.
We try hard to offer good service...no bored, condescending staff. We'd like to convert the uninitiated, rather than exclude them.
Who is your typical customer?
We get lots of graphic designers, artists, journalists, grad students, and info-damaged postmodernists. Most are younger than the shop's proprietor.
What sort of events do you have at the store?
We've had a site-specific poetry contest (the "Detournement Tournament," where participants were challenged to compose texts using only the titles of books in the shop); a site-specific art show; and a few parties. We've also had a garage sale (thousands of books, nothing over $2) for the last two summers.
Anything else you'd like to a share?
A friend of mine who works in academic publishing said of my shop, This isn't a bookshop, this is a gift shop that sells books. This was probably meant as a slight dig, but frankly I'm comfortable with the characterization. Very likely the same statement could apply to any solvent bookshop in the 21st century; and I for one am honored to help discover a new role for old media in people's lives. Besides, who wouldn't be delighted to receive as a wedding present a 1940s clothbound edition of Van de Velde's Ideal Marriage, Its Physiology and Technique?
(1961) Master class in sensationalism: "Here are the swindlers and the swells, the babes who scheme and the pimps who outsmart them -- all conning their way in the greatest shell game on earth."
(1988) Considering a career change? This study is so richly detailed, it could serve as a practitioner's guide to the hustling life. [mo-paw.blogspot.com]__________________________________________
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Milla Jovovich
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Not Above the Law
